Editor’s Note: Golden Gate Audubon member Alan Krakauer is studying Greater Sage-Grouse behavior in Wyoming. A longer version of this post appears on his blog.
By Alan Krakauer
One of North America’s most spectacular birds is also a species that not many people have seen — the Greater Sage-Grouse.
Given the spectacular plumage of a male Sage-Grouse in display, why are these birds so hard to see? A quick look at a female Sage-Grouse tells you the girls are built for crypsis — well adapted to blending in with their environment. For most of the year male Sage-Grouse also play the hiding game, so unless scared into flight they may pass unnoticed.
Yet for a couple of months in winter and spring, males come into their traditional display grounds (called leks, from a Swedish word for “child’s play”) and put on one of the greatest shows on earth. These leks are often in fairly remote areas, and males typically attend them only in the early morning hours. Both of these reasons help explain why getting a look at this spectacle can be a bit of a challenge.
The Sage-Grouse’s breeding clusters have captivated not only birders but evolutionary biologists as well. Unlike about 90 percent of birds, the males in lekking species don’t form a bond with their mate or provide any child care. Scientists are still trying to unravel some of the puzzles that leks represent:
- Why do males cluster together to display, rather than searching around for females, following females, or spacing themselves farther apart and defending larger territories like most other birds do?
- If males aren’t helping raise the kids, why are females so picky?
- What benefits do females get from choosing one male instead of another?
- And given that females often pick only a few among the many males on a lek, why do the “loser” males bother to stick around?
Lekking animals tend to be high on the charisma scale. Besides the spectacular Sage-Grouse and their cousins the Prairie Chickens and Sharp-Tailed Grouse, other lek-breeders include some of the most beautiful and acrobatic birds out there — birds of paradise, neotropical mannikins, peacocks, cock-of-the-rock, some hummingbirds, and Ruffs.
When we see a species in which males are larger or more colorful than females, we presume these differences are related to an evolutionary process called sexual selection, where one sex — often the males — competes either directly for access to females or indirectly by producing the best advertisement among the other males. This certainly seems plausible for Sage-Grouse; not only are adult males almost twice the weight of females, but they have a range of specialized feathers, brightened skin patches, and other unique structures.
The Sage-Grouse’s distinctive air-filled vocal sacs are actually part of its digestive system. Once the sacs are inflated with air, powerful muscles just under the skin help move and shape them during display. In spite of decades of research and routine collection by hunters, we are still finding surprising structures in these birds. Just recently we discovered that male Sage-Grouse have an almost songbird-like syrinx (sound-producing organ analagous to the human larynx) capable of producing two tones at once.
All of this adds up to the bizarre appearance of the male that has presumably evolved through sexual selection — the males with the more elaborate versions of these unique features get to mate with more females and pass on more copies of their genes to the next generation.
The differences between males and females extend to courtship behaviors as well. Males have a unique and characteristic “strut” display that you can see in the short video below. A male’s strut serves to attract females to the lek from across the landscape, to woo females once they are on the lek, and most likely to help claim their small patch in the midst of all the other males. Each display lasts about two seconds and involves coordinated movements of the wings and body.
For Sage-Grouse, courtship is not just a visual spectacle. Males produce a variety of sounds during the strut display. The first two notes actually are not vocalizations at all, but instead made by rubbing stiff, pointed breast feathers against the inside of the wings. This is somewhat analogous to how crickets chirp.
Making sounds with feathers may sound unusual, but it has evolved repeatedly in birds. Some common species in the Bay Area that do this include Mourning Doves (the “wee-wee-wee-wee” made during take off) and Anna’s Hummingbirds (the loud chirp made at the nadir of the male’s dive display).
The remaining notes are true vocalizations made by the syrinx, although unlike most birds they are made with the beak closed. These sounds start with a series of three low frequency “coo” notes, and conclude with an up-down-up “whistle” note sandwiched between two staccato “pops.” You can see these in the following spectrogram — this is a visual representation of sound that can be read much like reading music, with time progressing towards the right, pitch becoming higher towards the top of the figure, and the darkness representing something like loudness.
Females may care about some very subtle differences in these sounds when they are looking for a high quality mate. Researchers have compared sound recordings of successful and unsuccessful males and found differences in the relative timing of the two “pop” notes, and maybe the loudness of the whistle. What is amazing is that the differences between “Mr. Right” and “Mr. Wrong” are on the order of less than a tenth of a second. Females apparently have quite the ear when it comes to picking their mate!
That’s a quick introduction to Sage-Grouse in the spring. I feel extremely lucky to have heard and seen this show for the past several years as part of my research at the University of California, Davis. Along with Professor Gail Particelli, graduate student Anna Perry, and our intrepid field crew, we will be conducting research into several aspects of Sage-Grouse behavior and ecology from our field site just east of the Wind River Range in Wyoming. Over the next couple of months I’ll be discussing what it takes to set up a camp like this, how we use new technologies (including robotic birds!) to study courtship in this species, and review some of the conservation studies out of our lab. I hope you’ll join me for our 2013 field season!
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Alan Krakauer is a project scientist and lecturer in the Department of Evolution and Ecology at U.C Davis, where he studies communication, sexual selection, and sound production in Greater Sage-Grouse. Alan received his Ph.D. from U.C. Berkeley, where his dissertation focused on the male-male cooperation and the mating system of Wild Turkeys. He has published 20 papers and book chapters covering a range of questions in animal behavior and evolutionary biology. You can find his blog at http://www.alankrakauer.org/.